by Debbie Hodge
Asymmetry means “without symmetry.” Nothing is mirrored or centered. You could have an odd or mismatched number of differing elements. Designing with an absence of symmetry, does not mean there is not balance. Since there is no formula for asymmetrical balance, you must achieve it by sensing whether it looks balanced or not.
While asymmetrical balance is more difficult to achieve than symmetrical balance, it is also more interesting. It requires more active involvement by your viewer and thus has more energy.
A large block of photos bleeding off the top edge dominates the upper right area of “Big Hill.” This unexpected placement draws the eye in immediately. The block is balanced and supported by journaling and patterned paper that fill a smaller area but run from edge to edge. Page title and three buttons at top left ground the photo block to the canvas as well as provide counterweight to the trim along the bottom in this asymmetrical page.
Why, yes! Yes, there are.
The photo and embellishment block in “10 Years Ago” is balanced against a larger area of white space. The block takes on weight with its placement to the right and its interesting content. Making it smaller than the white space and moving it closer to page bottom than page top reduces its weight and sets it in balance on the page.
Again: yes!
Ask yourself where your eye goes when you look at the page. Does it move around more or less evenly (which would signal balance) or is it always returning to an area that is not your intended focal point (which would signal you to rethink your design)?
Now, go make a page with asymmetrical balance and link us up to it in the comments.

Snow Sculpture balances three smaller, square, framed photos on the left side with two landscape-oriented photos, title, and journaling on the right side. Take a look at how these elements and their placements result in a balanced page. Read on for some general guidelines for achieving balance.
Related posts:
thanks – these were helpful tips